November….where did it go?

Infrared Winter.....at least it looks cool....

Infrared Winter…..at least it looks cool….

Winter cannot seem to make up her mind for the Delta, she comes in bursts of coolness at night, a nocturnal winter,leaving us with unseasonably uncomfortable warmth in the day.  I managed to dig out my infrared filter for my camera and shoot some palmettos in my yard, it seemed the right thing to do, shoot a shot in an effort to look cool, using infrared.  My, my how I love to conjure up opposite thoughts with words.

In the studio life continues, although with all gallery work completed and there being little pressure to conform to any stringent plans for new work. I find myself in the space and time of the season. Holiday time, it means taking the time to count your blessings and reassess the year you have been given.   I am foremost grateful for my family and friends. I am grateful for the long spans of work time that I have put in this year, I am grateful for all the art sales made by my galleries, and I am most of all thankful that no matter what the day or time, I still feel the urge to create art.  All of this being said there is something about the no pressure that gives way to working on more personal paintings.  There is a freedom to having the space and time to create just to create, to have no one pushing you other than time and the passing of it.

I am still in the weight of balance series; but this time instead of the figure balancing on a hoop in the landscape, the figure is in the act of balancing, or giving order to something external. I am dealing with the thoughts of how random things can throw our lives out of kilter; and we lose balance, and often control of our lives.   The external things in our lives that are experienced and felt that move us either out of balance or back into balance.

Weight of Balance Two Peaces (1 of 1)

The painting began with a 24 x 24 inch cradled wood substrate. A square surface can be a blessing and a curse for the design of a painting. It can quickly become boring and predictable. I gave the wood several coats of gesso to seal it well, and to give me a surface that was both absorbent ,white, and most importantly durable. I placed the figure near the center just to make this a problem to be solved design wise. I find that if I start by challenging myself, I will put more effort into the painting to work out the design, and in the process I become more in tune with my subject. I could have placed this to either side of the board, and made the painting much less challenging; but then again, the tension that I felt while struggling to make it work, might not have been there. There is something both comforting and attractive in the remains of a struggle.  The desperate marks made while attempting to gain control of the painting are often the most beautiful. I am of the belief that for me, I need the struggle to keep me interested and prevent me from falling on any laurels from previous works. The scratching and running of the painted surface lend a great deal of excitement to the piece at this point.  

Weight of Balance Two Peaces 2 (1 of 1)

This is day 4 of the process of painting this piece. I am now starting to develop a color depth with the layers. I want the painting to be cohesive and current in design, yet still I am in search of a content that feels otherworldly and almost mythical. I want this series of paintings to be more than visual.

Weight of Balance Two Peaces 3 (1 of 1)

I am now beginning to add details to the painting. I have added a balancing beam and two birds to the figure. I often put great detail into the paintings and then cover over with layers of paint. This may sound odd, but for me the character of the figure is all I really want, but I cannot achieve the result without the overly detailed beginning. The birds began as credible birds with feathers and beaks and eyes but I quickly melded the sky and landscape over them with squeegees and brush work until all that remained was the vaguely recognizable bird forms balancing on the beam. I am also reworking the figure and the landscape together, I will continue to do this over and over in layers. I am starting to get a sense of the emotion in the painting. FYI  I am using and old windshield wiper from my car as a squeegee.  I could not bring myself to throw the wiper away and I thought I would give it a new use.  Recycle when you can!

Weight of Balance Two Peaces 10 (1 of 1)

This is a bit more detail of the birds and the figure.

Weight of Balance Two Peaces 4 (1 of 1)

When working on a cradled panel, the sides are important to remember. I work the sides and top of the piece as I paint the front but the bottom is always dealt with near the end. I have at this point added more line work and detail to the figure.

Weight of Balance Two Peaces 6 (1 of 1)

Detail of the figure..

Weight of Balance Two Peaces 5 (1 of 1)

The finished piece, Weight of Balance Two Peaces by Cathy Hegman. I will keep it in the studio for a while to see if I decide it needs more but for today it feels complete.

I hope everyone will have a joyous and blessed Christmas.   Thank you for taking the time to read my blog.  I hope it has in some small way been an asset to your art journey.  

Take care,

Cathy Hegman AWS,NWS,MSWS,MOWS, SAA,SW, ISAP
http://www.cathyhegman.com
*All artwork and text included in this blog is copyright protected by Cathy Hegman and should not be reproduced in any form or fashion or used without the written permission of Cathy Hegman. All text and artwork included in this blog are solely the thoughts and original art of the artist, Cathy Hegman, unless otherwise noted, and are meant only to be guidelines and thoughts for others to read.my blog.
Be the first to like this.




Advertisements

About Cathy S. Hegman

Art, much like a road links people together both visually and mentally. One can attain a glimpse inside the artist’s soul by studying the artist’s work, and perhaps find something that links them to the artist and the art. A work of art has the ability to resonate and touch the emotions without regard to age, gender, race, or religion through the application of pigment to canvas or paper. Art can be the voice that cries out without limits, or sometimes whispers the thoughts of the creator. Art speaks silently, yet conjures up feelings and gives satisfaction that is undeniable, and yet intrinsic. It validates our need to learn about ourselves, and gives us freedom to search for our own identities. The road is long and often dusty, but always renewing the spirit with inspiration. It is my hope in this lifetime to give a part of what I have learned through and on my journey with others. The deepest form of us is revealed in our thoughts and my art is the translation of my thoughts to paper and canvas. I paint layers of color and line to create a history of marks that will guide the viewer into my world of thought and engage them in the process. I embed personal symbols throughout my art to give it deeper meaning. I encourage you to think about life in a visual way and to contemplate our connections with each other and the world we share.
This entry was posted in acrylic, Art right outside my back door. The Big Sunflower River, canvas, cathyhegman, drawing, female, figure, fine art, painting, triptych, Uncategorized and tagged , , . Bookmark the permalink.

One Response to November….where did it go?

  1. berthamakes says:

    Reblogged this on Bertha's Blog.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s